Curator and art historian Noor Alé responds to representations and challenges to power in the Tehran-born artist’s work.
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All in Essays
Curator and art historian Noor Alé responds to representations and challenges to power in the Tehran-born artist’s work.
Writer and researcher Georgia Phillips-Amos explores the Sobey Award-winning artist’s polyphonic and urgent works.
Editor-in-chief Nehal El-Hadi on why writing about craft is important
Anthony Matthews writes about the artist, furniture maker and sculptor whose elegant works and meticulous craftsmanship have pushed the boundaries of Canadian woodworking.
Matthew Ryan Smith writes about Xiaojin Yan’s employment of mycelium and repurposing of vintage beads in her ethereal installations.
Michael Prokopow writes about the French Compagnons and attempts at maintaining artisanal knowledge and cultural memory after historical churches burn down.
Glassblower Katherine Gray writes about her career from making functional and sculptural vessels to working in larger institutions, and her forays into the public eye.
An exploration of the work by
Inuit artists at the Canadian Pavilion of the Gwangju Biennial in Korea.
Michael Prokopow writes about crafting the spectacular, at home and abroad.
Rea McNamara speaks with Sameer Farooq about his body of work.
Building a collection is more than simply accumulating objects — historian Michael J. Prokopow explores how acquisition transforms both the object and its owner.
Julie Hollenbach writes about the legacies of archives and counter-archives.
Fae Logie explores beauty, grief, and memory in the crafted installations of Jenny Judge.
Julien Silvestre celebrates the achievements, contributions and global impact of an innovative and original textile artist.
Neil Price writes about multidisciplinary artist Oluseye’s confrontation of Black labour’s place within the history of Canada.
Writer Matthew Ryan Smith writes about the revival of Mohawk pottery through the story of Santhony Pottery, on Six Nations of the Grand River.