Glassblower Katherine Gray writes about her career from making functional and sculptural vessels to working in larger institutions, and her forays into the public eye.
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All in Essays
Glassblower Katherine Gray writes about her career from making functional and sculptural vessels to working in larger institutions, and her forays into the public eye.
An exploration of the work by
Inuit artists at the Canadian Pavilion of the Gwangju Biennial in Korea.
Michael Prokopow writes about crafting the spectacular, at home and abroad.
Rea McNamara speaks with Sameer Farooq about his body of work.
Building a collection is more than simply accumulating objects — historian Michael J. Prokopow explores how acquisition transforms both the object and its owner.
Julie Hollenbach writes about the legacies of archives and counter-archives.
Fae Logie explores beauty, grief, and memory in the crafted installations of Jenny Judge.
Julien Silvestre celebrates the achievements, contributions and global impact of an innovative and original textile artist.
Neil Price writes about multidisciplinary artist Oluseye’s confrontation of Black labour’s place within the history of Canada.
Writer Matthew Ryan Smith writes about the revival of Mohawk pottery through the story of Santhony Pottery, on Six Nations of the Grand River.
Curator and writer Sarah Edo interviews Kosisochukwu Nnebe on ancestral knowledge and Black life.
Place reflects story and ties to the land. Identity is reflected through a sense of place.
Daniela Payne talks with makers and artists about how aging has affected their creative practice.
Sequoia Miller writes about Azza El Siddique’s evocative engagements with ceramics, sculpture and transformation.