Phil Abernethy
Victoria, British Columbia
Studio: How would you describe your approach to your medium?
Phil Abernethy: Experimental. Alternative. Sculptural. Technical.
S: What made you choose it?
PA: I’ve had a lifelong interest in Craft and as multi media practitioner it was natural for me to see the potential of something I was already involved in as a clock restorer. Clockmaking might seem an unexpected avenue for contemporary creative work but it certainly has ample scope for interpretation. It is a unique Craft that brings together Art, History, Science, Mechanics and Technology.
S: How would you describe yourself, personally and professionally?
PA: I’ve always been curious about how things work and fit together, mechanically and aesthetically. I love exploring ideas around mechanics, materials, finishes and compositions. Often these ideas push Horological ( the Science of Timekeeping ) norms. I’m an addict to the creative work flow and that feeling we get as Craftspeople when something is just ‘right’, usually after much trial and error. I’m definitely a detail person. Partly because the work demands it.
The combination of my experience as a restorer and fascination with the history of my Craft is the foundation of my practice. I have a deep appreciation for mechanical Horology and its history, which is often incorporated into my work. That said, my interest in Sculptural Clockmaking is multifaceted. I’m also interested in designs that convey time in alternative ways. I prefer the ‘humanness’ of analog time telling over the sterility of digital. Analog, along with the measured cadence of a pendulum seems to bring us back to a more human pace.
I’m a great believer that the preservation of traditional Crafts, that they are a fundamental part of our cultural heritage and collective history. As a Craftsperson I believe it’s important to maintain skills that demonstrate our connection to materials, human creativity and ingenuity.
S: What inspires you?
PA: The history of Horology. Its 700 year history is strewn with inspiring stories of genius, perseverance and development that contributed to so many branches of science and technology. During my 30 year career as an antique clock restorer I was fortunate to work on many great timepieces by notable makers. I often found myself marvelling at the skill and artistry of mechanisms that were very often hidden from view.
S: What do you see as your contribution to the field of your craft?
PA: I see my legacy in completed works and a new way of approaching the craft of Clockmaking. For technical and aesthetic reasons I’ve adapted several historic escapements ( the assembly that keeps a pendulum in motion ) which could be used by future makers.
S: What wisdom do you want to impart to younger makers?
PA: While incredibly rewarding we know that Craft can also be incredibly challenging. It’s easy to get discouraged by the business of making for a living. Never lose sight of curiosity and wonder. Look for inspiration, it’s everywhere. Practicing a Craft is both a life journey and occupation.
Phil Abernethy
w: thenakedwatchmaker.com
ig: @chronometricmachineworks
fb: @intheinterestoftime
This article was published in the Fall/Winter 2021 issue of Studio Magazine.
