Outside the White Cube: The Ideology of the Decolonized Gallery?

By Sarah Swan

Indigenous curators and artists are thinking through the decolonization processes – what they mean for art and its institutions and what they mean for them, personally. Is it possible, they are asking, to disrupt these spaces and to introduce indigenous values into them? Or, does the entire foundation need to be overturned?
What does a decolonized gallery even look like?

Read the full article in the Spring/Summer 2018 issue of Studio Magazine. Subscribe here.